If you are keen on writing, on mixing words and images, using one to stimulate and inspire the other, then our writing workshops will be for you. They are becoming a regular thing and we have a star-line up of experienced and talented poets, writers and artists to inspire you. Sign up to our email list to be the first to know about future events at GroundWork.
Monday 20 May 2019
A Journey Through Water,
Exploring poetic geography
A creative writing masterclass with Patricia Mullin
Bring lunch and your preferred notebook & pens, but tea, coffee and materials are provided
Introductory Price offer: £45.00
Students and under 25s: £25.00
Participants will have exclusive use of the gallery
Previous writing workshops
To give you an idea of the previous subjects and approaches, here are some of the other workshops we have run from 2018 and earlier.
Pivotal - art, writing, environment
Ways to collaborate
Saturday 25 November 2017
This workshop, run by mother and daughter Jeni Smith and Alice Finbow, was the starting point for collaborative conversations and ways to generate ideas between and across visual and text-based media. People who attended were not necessarily working already in a collaborative process, or indeed mothers ad daughters.....
A Journey Through Water | Exploring poetic geography
A creative writing masterclass with Patricia Mullin
Ideal for developing creative skills in your writing with the potential to work verbally | literally | literarily | laterally | visually |
Monday 20 May 2019, 10-4. Details below.
If you are already exploring combinations of writing and images, even tentatively, and would like to try some new techniques (short of floating in water like Peter Matthews above!), then you will enjoy this workshop. Or you might just want to write, and think about how images can inspire you. Whichever approach you want to take, you will be encouraged to develop a beautiful piece of writing. And - you can have the option to make innovative books using a variety of media.
About Patricia Mullin
Patricia Mullin is a graduate of Central St Martins, Goldsmiths College and Norwich University of the Arts. After graduating from the NUA Writing the Visual MA 2007 she was shortlisted for an Arts Council East Escalator Award in 2009. Her novel Gene Genie (Pub: The Stone Press 2005) was re-published as an e–book in 2012. Three short stories The Sitting, The Siren and Folding were selected (Judges: Lynne Bryan & Bellona Greenwood; Sarah Rigard and Emma Healey) for publication in Words and Women One, Two and Three in 2014/15/16 respectively.
Her novel Casting Shadows was commended in the Yeovil International Literary Prize 2014 (Judge: Elizabeth Buchan). Patricia was awarded an Arts Council England grant to re-draft Casting Shadows mentored by the acclaimed author Jill Dawson. Lick a short story, was shortlisted for the 2016 Bridport Prize (Judge: Tessa Hadley).
In 2017 Patricia was invited to take part in the Modern Repose seminar and lead ‘Object Lesson’ a workshop on creative writing from paintings and artefacts at Cambridge University at Murray Edwards College Cambridge University (formerly New Hall). The college holds the second largest collection in the world of art by women; the largest is held in Chicago USA. Patricia is an Associate Tutor at the University of East Anglia where she teaches short fiction courses inspired by the Robert and Lisa Sainsbury collection and special exhibitions at the Sainsbury Centre for Visual Arts.
Working with art and collections in museums, galleries and unique places of interest is Patricia’s area of expertise and complements her creative practice, where art and nature continue to inform her writing.
For a full list of writing, teaching and gallery credits please go to www.patriciamullin.com and select the Images and CV page.
2018 programme highlights
Saturday 10th November.
Environment and Memory
A poetry workshop with Emilie Dufresne
We held a psychogeography poetry workshop asking people to consider memory of place and experience of place over time. The workshop included walks around the town, inviting participants to experience their environment blind, and then later in the workshop try and retrace their steps and see how they experienced the environment differently.
The idea was to explore how memories change how we experience place, especially those places we have known previously and subsequently revisit. The method comes from a body of work of Emily’s and she read some of this at the workshop as well.
2017 programme highlights
Pivotal - art and writing workshop with Jeni Smith and Alice Finbow
The workshop introduced a number of ways in which artists / writers could collaborate on projects. Mother and Daughter relationships are tricky at the best of times, however Jeni Smith and Alice Finbow took this to a new level by working collaboratively on a project on a remote Finnish Island. What they learnt from this process has been turned in to an artist’s book, Pivotal, but the learning is still happening!
Collaborations within the arts have been going on since time began, but understanding how the work is created can at times seem veiled and difficult to understand when collaborative outcomes can often feel effortless. Who made what? What conversations were had? Were the expectations and hopes of both parties realised? It is a complex process, even finding the right person to collaborate with can feel like an impossible task at times!
This workshop acted as the starting point for collaborative conversations and ways to generate ideas between and across visual and text-based media. It involved storytelling, writing, photography (using camera phones) and was punctuated by gales of laughter. Dr Jenifer Smith and Alice Finbow gave a reading and slide show from their collaborative project Pivotal.