Exhibitions at GroundWork stimulate discussion and greater knowledge between artists, creators, community leaders, scientists, campaigners, and local people. We host regular events in the gallery to explore the themes of our exhibitions.  Make sure to sign up to our mailings via our contact page here to be the first to know about events at GroundWork.

Sir Edward James Salisbury, Shingle Mobility between Suaeda bushes (on Blakeney Marshes), early 20th century.

 

Thursday 30 August

Regarding Nature - Our Changing Coastline

At Cley, Norfolk Wildlife Trust, visitor centre

Professor Julian Andrews, University of East Anglia who is speaking on 30 August at Cley.

Friday 31 August

Regarding Nature - Workshop on Coastal Vegetation

At Cley, Norfolk Wildlife Trust, visitor centre

 

Saturday 1 September

Regarding Nature - Rewilding - Poetry and Ecology

In King's Lynn, Thoresby College and GroundWork Gallery

Thoresby College, Queen St. home of the King's Lynn Preservation Trust

In King's Lynn, Thoresby College and GroundWork Gallery

 
 

Thursday 30th August.

Time: 1.30-3.00

Thursday 30 August

Regarding Nature – Our Changing Coastline       

Talk and discussion: Julian Andrews, Professor of Environmental Science at UEA, will discuss how the Norfolk Coast has changed and is continuing to change. We will look at the impact this has had on the ecology of the coastal environment and how that changes what can be seen today.

At Cley, Norfolk Wildlife Trust Visitor Centre

Cost: £10 NWT members, £12 non-members (includes meal) Booking essential: 01263 740008

 

Friday 31st August: 10.30 to 3.30pm

Regarding Nature – Workshop on Coastal Vegetation – a Dynamic Flora

Local specialist Simon Harrap, author of Harrap’s Wildflowers and owner of Natural Surroundings, will explore the ever changing flora of the North Norfolk Coast. You will learn how to identify key species and understand their place in the wider ecosystem.

At Cley, Norfolk Wildlife Trust Visitor Centre

Cost: £22 NWT members, £26 non-members.  Booking essential: 01263 740008

 

Judith Tucker and Harriet Tarlo talking about their work at GroundWork Gallery on 24th June

Saturday 1 September, 11.00-5.00pm: 

Conserve? Restore? Re-wild? art & ecopoetics rise to the challenge

Study day, with talks, discussion and readings.

Speakers include: Judith Tucker, Harriet Tarlo, Andrew Watkinson, Richard Kerridge, Jonathan Skinner, Elizabeth-Jane Burnett.

At Thoresby College, Queen Street, & GroundWork Gallery, King’s Lynn.

Cost: all tickets £12.00 including food and drink. Booking essential: mail@groundworkgallery.com

Outline programme

Conserve? Restore? Re-wild? art & ecopoetics rise to the challenge

11.00am Arrival, tea and coffee, intro and welcome from Veronica/HT/JT 

REWILDING/ECOPOETIC CONTEXTS

11.30

Richard Kerridge -

The Environmental Crisis for Writers

What are the problems of form, scope and mood presented by the environmental crisis, and how are writers of different kinds responding? I will identify some of the major questions and give quick descriptions of several recent works that engage with these problems.

 http://bathspa.academia.edu/RichardKerridgehttp://valuing-nature.net/offer/richard-kerridge

12.00

Andrew Watkinson

Reflections on a changing environment

As a scientist I have worked on a range of aspects of environmental change from coastal erosion to climate change and on ecological change from conservation to the control of pests. In this talk I shall reflect on those changes, for better, for worse, and on visions for the future.

https://www.researchgate.net/profile/Andrew_Watkinson2

12.30

Jonathan Skinner

Thoughts on Things: Poetries of the Third Landscape

In this talk I suggest that it is poetry's care for language, in its own right a form of life, that speaks most directly to issues around conservation, restoration, and rewilding, in a time of climate-change induced migration and accelerated extinction. As thoughts on things in things, poetry resists the predatory intent built into human languages--invoking an interstitial zone, between developed and conserved, sometimes called the "third landscape," site for self-reinventions too often dismissed as "weedy" or "invasive." I'll consider examples of poetry that listens in, to the intelligence of these "weedy" lifeforms, for co-created futures rather than preserved heritage. 

 - https://www.poetryfoundation.org/poets/jonathan-skinner 

1-2pm lunch (included)

ART AND ECOPOETICS

2.00-2.30pm

Iain Biggs

Eco-poetics and art as ‘wild’ conversation?

In this illustrated talk I will argue that it may now be helpful to see art in terms of both conversation and collaboration. I will use examples of my own work involved in deep mappings, Hanien Conradie’s Raaswater, and reference a recent collaboration between the poet and artist Erin Cavanaugh and myself, to suggest that eco-poetics asks us to see art in terms of ‘wild conversation’. Wild, that is, in the poet Don McKay’s sense of: ‘the capacity of all things to elude the mind’s appropriations’.Wildness, then, as what ensures that we remember that in reality the world, and we ourselves, are always both more and less than the categories that name and divide us. 

http://www.iainbiggs.co.uk/

2.30-3.00pm

Elizabeth-Jane Burnett

Elements of Speech: Grass, Soil and Sea

I will discuss three writing projects, The Grassling (Penguin, 2019), Swims (Penned in the Margins, 2017) and the work-in-progress, Of Sea, as ways of articulating environmental damage while also inviting, anticipating and working through response. These projects think about communities of care and attention, human and other-than human relationships and the integration of art and the everyday in making forms of mindfully flourishing life. My afternoon reading will be from these three books.

-   https://www.curtisbrown.co.uk/client/elizabeth-jane-burnett 

3.00-3.30pm

Harriet Tarlo and Judith Tucker

"I want to see it looked after": opinions and art down the Louth Canal

The work of Harriet Tarlo and Judith Tucker in the Groundwork Gallery responds to the Louth Navigation which was constructed between 1765 and 1770 and runs for just over eleven miles. Like many rural canals, the Navigation began to decline towards the end of the Nineteenth Century, finally closing in 1924. Do canals remain canals when they no longer carry crafts and goods? Walking, drawing and writing along the canal we observed plants, birds and animals creating homes in and amongst the old culverts, bridges and locks. An unplanned re-wilding has begun. Human life and human interventions also continue along the canal of course: farming, fishing, and water management making for a landscape full of criss-crossing lines of water, running parallel and intersecting with energy lines carrying gas, oil and electricity above and below land. Defying obvious boundaries and binary ways of thinking about art and poetry, our collaborative works are experiential, both more and less than descriptive, both more and less than topographical. In our work, we explore not only the visual and textual potential of this place, but also the past, present and possible futures of the Navigation, matters we have discussed with local inhabitants when showing the work in local spaces. How can art respond to issues on the ground without didacticism? In this talk we focus on how people who live along the canal feel and think about these issues and how exposure to our work has affected them. 

 3.30-4.00 tea

4.00-5.00  performances - E-JB, RK, HT, JS

Followed by drinks at GroundWork Gallery and a chance to see the show in the evening light.