Bronwen Gwillim Stacked pendant

£94.00

Bronwen Gwillim

Stacked pendant

Recycled plastic, cotton cord.

Max drop from neck: 39 cm

Out of stock

Description

Bronwen Gwillim  stacked pendant is a striking assemblage of Bronwen’s classic shapes. Here she has stacked open and closed shapes in wearable shades of blue and grey. She cuts these economically from sheets of her recycled plastic so that overall each one fits into another. The pendant hangs from a soft woven cotton cord. Each shape is reversible so it can be made plainer or more detailed as you wish.

I make wearable, sculptural jewellery from recycled materials. Mimicking the effects of the sea, I work their surfaces till they feel natural in the hand, like a treasured pebble.

Bronwen’s concern about the wastage of  mountains of throwaway plastic has led to her creativity with the material. She uses recycled plastic as a raw resource for making. Not just any plastic however. Just as if she were selecting precious stones, she chooses pieces with exactly the right qualities to suit her style. She reappraises plastic as a precious material and uses it thoughtfully and sparingly.

Materials and methods

Bronwen calls herself a ‘plasticsmith’. She doesn’t dye the material but begins from its existing colours, and textures. Her shapes resemble those found on a beach or dug up from the ground. She uses only hand tools to cut, file and scratch the surfaces. This slow and very considered approach is inspired by the natural processes of wear and weathering.  She works in stark contrast to high speed mass production that we associate with modern plastics. She mixes her waste with binders to create a new composite material, so she wastes almost nothing overall.

Trained as a jeweller, silversmith and textile & surface designer, at Sir John Cass, Camberwell and Bath Spa. Bronwen Gwillim lives in Bristol but spends as much time as she can in her boat on the River Severn in Gloucestershire, where she gains inspiration along the riverbank. She likes to observe the effects of the light and powerful tides on the ever-changing shapes and textures of the mud flats. Her colour palette of grey, blue, rust and yellow is taken directly from this landscape.

 

 

Naomi Langford